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About Me

Representation in art is important because it allows the audience to see themselves on stage and realize that the human experience is not as isolating as we once feared.

I believe this intrinsically, and because of that, I infuse all aspects of myself in my writing in the hopes that someone will see or read it and walk away with at the very least the realization that though the dressing of the story may change, the heart of the piece allows for connection, community, empathy, and relief.

As a queer artist, I believe that it's important that every play that I write includes queer representation. While LGBTQ theatre and plays solely about the queer experience are incredibly important, I think it's equally important to allow queer actors to portray characters where queerness is a part of who they are, but not their defining factor or sole reason for existence.

Terminal 
One Act: 75-90 Minutes

A not-so-freak snowstorm causes siblings Ronnie and Steven to take shelter in an Iowian bus shelter for the night. As they make their way cross country to visit their estranged Father in hospice, the two siblings are forced to recognize that though they may be tied by blood, they have been little more than strangers for years. While Steven works to come to terms with what it means to grieve a Father who has only ever been cruel to him, Ronnie must explore her own anger and resentment, and what it means to choose forgiveness. 

Undetermined 
One Act: 75-90 Minutes

Change only occurs due to a catalyst. When a trapdoor opens up into YOURS gray concrete box of a room, new travelers force her to question her beliefs and desires in life. She is certain that there is someone out there, watching her, waiting to give her life meaning. Her new companions disagree. 

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